
Just as Bournemouth is blessed with an absolute top-notch dub reggae band with Dubheart, we are also the proud owners of their equivalent in terms of funk thanks to the almighty Baker Brothers. Having been long established (nearly ten years) not just locally, but worldwide, with an amazing cult following in Japan, the band have just launched their seventh long-player Time To Testify, released through Milan-based label Record Kicks, and Genki Brothers in Japan.
The band have recently gone through some changes in personnel, with Rich and Dan Baker (two of the original members) leaving, the former very recently due to growing family commitments. Co-founder and band producer Chris Pedley remains, and has clearly surrounded himself with some ridiculously talented funk soul brothers.
Not being overly familiar with The Baker Brothers back catalogue I cannot say if Time To Testify is a change in direction for the band. I’ve seen the band live a bunch of times, and marvelled at their skill, precision and ability to get down and dirty. For me, funk is all about the groove. From around ’65-’75 the genre went through many changes before barely staying afloat, drowning in an ocean of disco, only to resurface in the 80s with a jazz-funk mini-explosion and the cool acid-jazz cats. Since then… well, funky breaks have been used to death within rap & hip-hop, but any funk bands of notoriety are simply borrowing from the past. So, where does The Baker Brothers’ Time To Testify fit in to this field of funk, and more importantly, is it any good?
Firstly, the playing and production throughout is stunning. Musically, it swaps between some early ‘70s soulful Young Holt Unlimited and The Meters, and in larger parts a prominent Incognito a more obvious James Taylor Quartet comparison. Whilst two-thirds of the album sounds like it could be on the Acid Jazz label, that’s more down to the ‘white soul boy’ vocal style and ‘pop’ lyrics than the playing, which stays more rooted in the ‘70s. ‘Make Your Move’ reeks wonderfully of a JTQ car chase and ‘The Bottom Rung’ is a perfect example of the band’s commercial acid-jazz leanings. The brass is impeccable – straight outa Fred Wesley & Maceo Parker – and new sticksman Ted Carrasco’s work is nigh on as pretty as Purdie’s, best highlighted in the masterful ‘Feeding Freddie’.
I’m far more a sucker for the band’s grittier grooves than the prettier, more commercial sound, though most of my faves seem to all be cut short, almost working as instrumental interludes. The intro ‘Statement Of Intent’, ‘Roll It’, the dubby ‘Decision Time’ and quality closer ‘Genki Strut’ all come in at between one and two minutes when I’d like them to be twice the length. Yeah, they are just funky grooves… but that never stopped JB. There’s some Steely Dan moments with ‘Painting Pictures’ and particularly the glorious ‘Stick Up’ though this is primarily down to Chris Pedley sounding alarmingly like Donald Fagen.
If you’re a funk fan you’ll dig this extended slice of rare groove. Guaranteed. Whether you’ll love it depends on your where you like your funk to be at. One thing is certain, as players The Baker Brothers are one class act, tight enough to make you squeal and pure masters of their art. Time To Testify – Ain’t That A Groove.